Spitz Jazz every Friday, 6pm - 9pm
Kings Place foyer, free
future lineups

90 York Way, N1 9AG   Station: Kings Cross

"...sharp, soulful...Spitz Jazz Collective lick the blues like there's no tomorrow" - The Guardian

'Vive la Spitz' - Time Out, 2008

THE SPITZ

Events

mailing list   |   contact us

SPITZ EVENTS


 


Spitz@ Kings Cross Social Club

UNITED VIBRATIONS + J.D. SMITH

February 14, door time tbc

United Vibrations - Afro-beat, ska, reggae, funk, jazz, rock, ragga, hip-hop, house, world music, drum'n'bass - the intelligence of jazz meets the rawness of punk.. Influences move from Fela Kuti to Bob Marley and the Wailers. A young group to watch expressing the high tempo, multi-cultural frenzy of London. “Our mission is to create some bangin' tunes, and pass that vibe onto others.”

Yussef Dayes (drums), Kareem Dayes (bass/vocals), Wayne Francis (sax/vocals), & Ahmad Dayes (trombone/vocals).

United Vibrations "mix ska with raw punk energy and blistering jazz harmonies". TIME OUT

myspace.com/unitedvibrations

J.D. Smith is a London based solo Blues/Punk/Rockabilly slide player who has been trying to bring Rockabilly back from the brink and allow this amazing music to gain a larger audience. With an idea, a guitar and a heap of Punk rock thrown in J.D. is hoping to wake people up to the idea that a solo act doesn't have to mean folk, it can also be dangerous again.

''Everbody deserves a little rockabilly in their lives...and if twang's your thang, Mr Smiths got it in buckets. -Bizarre Magazine

'' Sounds like an Elvis for the modern era'' The Music Magazine

myspace.com/stuartjamesdurdensmith and jukeboxriot.com

 

Spitz@ Kings Cross Social Club
2 Britannia St, WC1X 9JE
Station: Kings Cross
time tbc
Free



 


Spitz@ Kings Cross Social Club

SONGDOG + JOE WILKES + JASON MCNIFF

February 21, door time tbc

Songdog are a trio (Lyndon Morgans, Karl Woodward, Dave Paterson) who combine acoustic and electronic instruments to create soundscapes for singer/songwriter (and former award-winning playwright) Lyndon Morgans's vignettes on life, love and loss. New fans include Bruce Springsteen, who used their track 'Days of Armageddon' for "walk in music" on his last European tour and personally requested a copy of the last album.

"... Their music is dark and sinister and beautiful and Lyndon's songs are by turns sexy, scary, funny, creepy, heartbreaking and usually always brilliant." Allan Jones (Editor), Uncut

"Building otherworldly lovesongs with acoustic guitar, a jagged drawl and lush accordions, Songdog's album unfurls with grace" Rock Sound

"One of those life-changing albums where you'll remember forever where you were when you first heard it" RocknReel (5*)

songdog.co.uk/us.htm

Joe Wilkes’ songs are robustly crafted and he likes to defy convention and take risks with song structures. Overt melodies are matched by sharply observed intelligent lyrics and his freewheeling arrangements take the listener on journeys beyond the usual folk confines.

“Time was when all singers at Soho folk hangouts owed debts to Woody Guthrie. Except Wilkes is of today and flavours his songs with French horns and bassoons.” MOJO, December 2007

joewilkes.co.uk/site.swf

Jason McNiff’s talent lies somewhere between Pete Doherty at his most tender and Nick Drake at his most optimistic, curiously soaked in Americana while remaining resolutely British. This Irish-Polish singer/songwriter recalls Americana, folk and roots without ever descending into formulaic acoustic drudgery. With a knack for the unpredictable, McNiff cultivates a tangible tension, dragging his audience — not unwillingly — into his elaborate songs.

"One of the UK's best-kept secrets" Mojo Magazine

jasonmcniff.com and myspace.com/jasonmcniff

+++ "DJ Lenny George regularly DJs at venues such as the ICA and the Union Chapel playing eclectic sets of fantastic folk, vintage soul and obscure Rolf Harris B-sides."

 

Spitz@ Kings Cross Social Club
2 Britannia St, WC1X 9JE
Station: Kings Cross
time tbc
Free


 


Spitz@ Kings Place atrium

SPITZ JAZZ

Every Friday, 6pm-9pm

Kings Place continues to host Friday evening Spitz Jazz in the building's popular atrium.

Friday, 12th Feb:

  • Pete Wareham – sax
  • Dave Whitford – double bass
  • Alan Weekes – guitar

Friday, 19th Feb:

  • Johannes Rieplar – guitar
  • Ryan Trebilcock – double bass
  • George Crowley – sax/clarinet

Friday, 26th Feb:

  • Jon Shenoy – sax
  • Spencer Brown – bass
  • Kristian Borring – guitar

Past lineups

 

Spitz@ Kings Place
90 York Way, N1 9AG
Station: Kings Cross
6pm - 9pm
Free


Listen to Kings Place's audio recording of John Crampton's entire performance at their Spitz Blues evening on 4 Sept 2009:

Or browse Christopher Tribble's photos of John Crampton, Tom Rodwell, Sister Mary & the Choir Boys, Mr Black and Blues:

Or sample the same wonderful evening via video clips of John Crampton and Sister Mary & the Choir Boys:


A sample from the film Polar Bear Live at The Spitz:

Polar Bear - TOMLOVESALICELOVESTOM (a Rub Recordings Production, 2009)
myspace.com/rubrecordings

SPITZ RECORDS

MR BLACK AND BLUES

Spitz Records in partnership with Breakneck Records present his new album, The Morning Light.

Available from:

PARKBENCH: "VERSUS BLACKOUT"

Spitz Records' first release.

Available from:

More details
> read Time Out's review

A Great Night In The Spitz

a film documentary
52min | UK | 2008 | Dir: Gea Russell & Ken Kamanayo

The Spitz music venue opened in 1996. Over 11 years The Spitz hosted more than 3000 concerts featuring the best in cutting edge music. It was forced to close in 2007 due to re-development of Old Spitalfields Market. This is a music documentary of the last ever event held at the Spitz on 27th September 2007; a concert over two floors featuring some of the best of London's contemporary music scene... A Great Night In The Spitz.

A Great Night In The Spitz was inspired by Art Kane's 1958 photo A Great Day In Harlem which featured the top jazz musicians of 1950s New York. A Great Night In The Spitz was shot entirely over the last 48 hours of The Spitz's existence and portrays some of London's top musicians with a special focus on the elite of London's Black jazz musicians.

Director Jane Glitre said: 'So much of The Spitz was about to become an invisible, silent memory. I felt it was essential to try and encapsulate some of that spirit by documenting the last night in 109, Commercial Street.'

Based around an open live concert, key members of the UK's music community dropped by to pay their last respects and to celebrate 11 years of great music.

Featured artists include: The Spitz Jazz Collective, Soweto Kinch, Gwyneth Herbert, Seb Rochford and Terry Edwards.

'MOJO magazine is distraught at the thought of the Spitz closing its doors for good and all. It has served a world of vibrant, genuinely alternative music virtually single-handed.' MOJO

 

See a slideshow of the last night at The Spitz on YouTube » www.youtube.com/gideonmendel

SPITZ RECORDS



 


Check out the first commercial release on Spitz Records,
PARKBENCH: "VERSUS BLACKOUT", released on June 30th, 2008.

"Darkly sophisticated slabs of sax-seared lonesomeness ... this is the first commercial release from Spitz Records, a label whose advent can only mean great things for London's leftfield acts." - TIME OUT > read review

Treasured by many and missed by even more since its epic closing night bash on 27th Sept 2007 featuring the likes of Beth Orton, Terry Edwards, Seb Rochford and Gwyneth Herbert, the SPITZ has been working away to ensure that the many years of graft, grind and damn fine times do not go to waste. Now, to add to their regular gigs in other East London venues under the 'Spitz presents' moniker, comes the first in a series of releases by artists related to the legendary venue.

PARKBENCH is basic, original, earnest song-craft informed by an unflinching devotion to the spirituality of every day events; universal, human emotions; moods and moments burning bright or smouldering quietly; words liike white-hot cinders stoked by the tension and drama of real life situations; and the unique and creative force of a trapped, self-reflective, curious and longing soul.

Expressed honestly, without agenda or pretence, PARKBENCH heralds a return to the simple and beautiful classic songwriter criteria – compositions of inspired subject matter and creative survival techniques (how to get by life using the power of your own imagination to transform negative energy and draw good things from bad; and how to conjure up psychological imagery that is ultimately more functional and satisfying in describing 'the truth' than style pieces about individual love sickness or ready-made, borrowed genre thematics. The PARKBENCH modus operandi is in a sense a way of life, yet it is rendered with moderation and humility, an approach perhaps similar to the line infamously engraved upon Charles Bukowski's tombstone in Rancho Palos Verdes: "Don't Try."

"An outfit blending pastoral strumming and jazzy urbanity with the timelessly stylish blues gloom of Michael J Sheehy." - TIME OUT

Buy PARKBENCH: "VERSUS BLACKOUT" from:

myspace.com/parkbenchfromthechinamen

Dhafer Youssef playing at the Spitz.

Spitz Records is affiliated with a new professional recording studio, 22 miles south of San Francisco, with rates as low as £100 per day. more

What the critics said about The Spitz

"Always on the out-there side of cutting edge" - Independent on Sunday

"Tomorrow's lineups today." - flavorpill

Saving the Spitz - Why the Spitz was important

MAILING LIST

Join the Spitz Mailing List to receive regular updates and breaking news.

» CLICK HERE TO SUBSCRIBE

 

   

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